- #Fontlab studio 5 double letter software
- #Fontlab studio 5 double letter trial
- #Fontlab studio 5 double letter windows 7
- #Fontlab studio 5 double letter windows
But with FontLab, in addition to static fonts, you can also export your multiple-master design as one variable OpenType font, so that the end-user of the font can dynamically choose any instance within the font’s design space.
They would design the masters, then pick a set of instances, and export them as a family (or part of a family) of traditional static fonts in the OpenType format or older formats such as Type 1.
Type designers used variation in font editors like Fontographer and FontLab Studio 5 for more than two decades. You can preview instances dynamically at any axis location, and you can predefine some instances by giving them names. If the masters match (are geometrically compatible), you can use interpolation to combine your masters at a requested axis location and to to produce instances: intermediate, blended snapshots of the variation. Masters are like “key frames” of the variation. Each master has a numerical location on each axis. In these “master styles”, you design how each glyph looks when it’s “regular”, “bold”, “condensed”, “wide” etc. In FontLab, you can add multiple masters to your font. But as a type designer, you can fluently change the weight or some other aspect of the design, which is more like using sliders to change the brightness, contrast or volume of the TV.Īn aspect of the font that changes fluently (such as weight, width, slant, contrast, optical size or ascender length) is called a design axis. The users could switch between those two, or perhaps a few more, weights, like you would switch the channel on your TV. In metal type and in traditional digital fonts (“static” fonts), a font with “regular” weight was completely separate from a font with “bold” weight. When you work on a type design in FontLab, you design the shape (look) of each glyph, but you can also design the variation of each glyph.
#Fontlab studio 5 double letter windows
The problem persists.įor reproducability, consider Comic Sans (which I believe comes with any Windows distribution): a TrueType-flavoured OpenType font. I've already tried changing the font cache, reinstalling everything (Windows included), or trying different fonts, glyphs, and so on.
#Fontlab studio 5 double letter windows 7
I can reproduce the problem on both of my Windows 7 systems (laptop/PC), I can reproduce the problem with either of two pieces of font editing software. I've tried changing some things around a bit. Converting the OpenType file to readable font metrics for my typesetting software, the wrong glyph shows up in the glyph table.
FontExplorer does not show the edited glyph, while Suitcase Fusion does show the new glyph. However, something strange happens when I check the font in the font management software.
#Fontlab studio 5 double letter software
(The final product is to be a math font for use with the TeX typesetting system.)Įditing any font is correctly reflected in both pieces of font editing software (Studio as well as FF).
#Fontlab studio 5 double letter trial
To check how the new font looks, I also have trial versions of I therefore decided altering the glyph slightly to show a longer extension from the baseline (I hope it's clear what I mean with this).Īfter doing some research, I have the following software at my disposal for changing the glyph: In a font I recently bought, a glyph is too small for my liking. I'm unsure whether this is the right place to ask this kind of thing but honestly, I'm at wit's end here, so I'll try anything.